Kenyon Wilson - Tubist, Composer, Instructor
Kenyon Wilson is the low brass instructor at the University of Tennessee at Chattanooga. He holds positions as principal tubist with both the Tuscaloosa Symphony in Alabama and the Augusta Symphony in Georgia. This website contains a collection of news, work lists, discographies, and audio samples of Kenyon's works. You will also find information on his upcoming performances and his previous musical endeavors.

ITEA Gem Series No. 18

Kenyon Wilson's latest composition, Decimation for euphonium duet, is featured as part of the Gem Series in the latest issue of the ITEA Journal.  The music is available as a free download in both bass- and treble-clef versions.

Check back soon for a sample recording of Decimation by renowned musician Jason Ham .

Chattanooga Octubafest

Tuesday, October 77:30 pm
StudioOctubafest #1: UTC Tuba/Euphonium Studio Recital

University of Tennessee at Chattanooga Tuba and Euphonium students in recital, performing solo and chamber works.

The recital will be presented in the Roland Hayes Concert Hall at UTC. Admission is free and open to the public.
Tuesday, October 147:30 pm
Kelly ThomasOctubafest #2: Guest Artist Recital: Kelly Thomas

UTC welcomes Dr. Kelly Thomas, Associate Professor of Tuba/Euphonium at the University of Arizona, to campus for a masterclass and guest recital.

The evening recital will be presented in the Roland Hayes Concert Hall at UTC. Admission is free and open to the public.
Tuesday, October 287:30 pm
Jonathan Bailey HollandOctubafest #3: Meet the Composer: Jonathan Bailey Holland

UTC welcomes renowned composer Dr. Jonathan Bailey Holland to campus for lectures and a recital of his works. Included in the program will be the premiere performance of Quatrains commissioned for the UTC Tuba/Euphonium Ensemble.

The evening recital will be presented in the Roland Hayes Concert Hall at UTC. Admission is free and open to the public.

Wall Street Kerfuffle

Kenyon's fanfare, Kerfuffle for quintuple antiphonal quartet, was the feature of an article by James Taranto in the arts section of the Wall Street Journal (April 30, 2008).